Get to know the New Writers joining Hobart Festival of Women Writers 2019 Stephanie Nikolopoulos, Hobart Festival of Women Writers blogger and Participating Writer, speaks to the women joining The Festival for the first time. Link to her Q&A. SPOTLIGHT on Marilyn McCabe – http://bit.ly/2VDXP5S SPOTLIGHT on Ellen Meeropol- http://bit.ly/2wz16tj. SPOTLIGHT…
So performance got intertwined with my self-definition and with finding my voice. Since then, performance has helped me to understand voice — especially spoken language vs. written language. It has allowed me to feel the pressure of a listening audience, which helps to edit and craft a text.
The best encouragement I can give to other literary late bloomers is that age brings a depth and width of life experience and wisdom to our work, as well as understanding about how complex our world can be. This ability to reflect on what we’ve seen and thought, to dig deeply into big questions, is a potentially amazing resource usually not available to young writers.
Even if I’m not writing specifically about the Adirondacks, the nature reflected in so much of my poetry is invariably this kind of nature: dark pines, rushing streams, a bumpy horizon designed by departing glaciers and old tectonic shrugs.
The Hobart Festival of Women Writers 2018 was held on September 7, 8 &9th Our sixth consecutive year of celebrating the work of women writers in the town of Hobart, New York, The Book Village of the Catskills. It was a glorious weekend! enjoy these photos by Nivea Castro
“And that is why, every year, there is a season
of sadness, the hurricanes, in Great Water. They begin as
thunderstorms off the west coast of our world
They follow the path of the bones.”
— Alexis DeVeaux
I believe that journalism benefits from a strong sense of values, such as justice and humanitarian instinct, but it is best practiced without political activism. A journalists’ allegiance is to the truth. A good journalist is always open to changing her mind based on the evidence, and political activism doesn’t tend to work that way.
– Anne Nelson
What people don’t appreciate, is how much nature there is in urban settings. And how crucial those urban settings are. For instance, NYC in on what we call the Eastern Flyway (there are several of these, east to west, which are migratory routes for birds in spring and fall). In spring, birds in their bright, colorful breeding plumage drop into Central Park, among other places in the NYC area, and draw birders from around the world, including as far away from Russia.
People are wont to read with their own biases and agendas that we cannot control, and having early readers who come from vastly different backgrounds and perspectives may help a writer at least get a sense of the types of issues that might be misinterpreted.
For a long time, as a writer in the diaspora, I felt this pressure to represent my culture honorably, but the question was which culture? I was born and mostly raised in New York, and my love of literature was nurtured in the black books sections of Borders and Barnes and Noble. And I was reared by very proud Ghanaian parents, and had this identity-shifting experience of being sent from ages 12 to 15 to live and school in Ghana. I didn’t feel I could lay full claim to African-American culture or identity, and I didn’t feel completely Ghanaian either though I found myself straining to do both.
Nana Ekua Brew-Hammond
On September 7, 8,&9th The Hobart Festival of Women Writers will hold its sixth consecutive year of platforming and promoting the work of women writers in all genres. We’re excited to announce that two additional participating writers will read their work at Festival 2018.
Being among these incredible writers, teachers, learners, volunteers, and organizers inspires me, challenges me, encourages me far beyond the few days of the Festival.
— Stephanie Nikolopoulos